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James Bond No Time To Die review: This is the resurrection of the century

Woke-y, not blokey. That’s what advance word suggested Daniel Craig’s fifth and last outing as super spy James Bond would be. Still, endless delays, mostly caused by Covid, threatened to spoil the party. The worry was that - no matter what Craig and new co-star, Lashana Lynch, got up to in Bond 25 - the…

James Bond theme songs ranked: We list the best and worst 007 tunes in order

Which Bond theme is the best of all time - and which are best forgotten?

Shagged. Married. Annoyed at the Palladium review: An evening of crowdpleasing, undemanding laughs

Married couple Chris and Rosie Ramsey take their wildly successful podcast on tour

Theaster Gates: A Clay Sermon review: beautifully judged and perfectly paced

Upstairs at the Whitechapel Gallery has never looked so good, writes Ben Luke

Bridgerton producer: ‘There are fewer opportunities for actors of colour in the UK than in the US’

The producer of Netflix’s hit period drama Bridgerton said that many of the show’s actors of colour felt they would not have been given major roles if the show was produced in the UK.

Will Young: “One of the biggest shames for parents is still the possibility of their child being gay”

Will Young has opened up about the “soul-wounding shame” of growing up as a gay man at the second day of the Evening Standard Stories Festival.

Non-binary writers and sex coordinators: Sex Education creator reveals secrets to show’s success

Laurie Nunn said a well written sex-scene should drive a story and deliver a healthy message but it’s nerve wracking trying to get it right

Duran Duran: ‘Blur’s Graham Coxon fitted into band like a glove when making new album’

The hitmakers chatted to the Standard’s Naomi Ackerman backstage at the Isle of Wight festival

Shining City at Theatre Royal Stratford East review: Polished performances hampered by a palaver of pacing

Brendan Coyle is excellent in Nadia Fall’s revival of Conor McPherson’s ghostly 2004 play

Akram Khan Creature at English National Ballet review: Too much head, not enough heart

This much-anticipated work will make a much-needed difference to the balance sheet, but it might not move audiences as much as it hopes

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